Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields. Many thanks to John Whit­ing, co-pro­duc­er of many of these record­ings, and Erik Bauers­feld him­self, for per­mis­sion to broad­cast these clas­sic recordings.

Note that the pro­gramme will not begin until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode may be a few min­utes after the hour.

Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields. Many thanks to John Whit­ing, co-pro­duc­er of many of these record­ings, and Erik Bauers­feld him­self, for per­mis­sion to broad­cast these clas­sic recordings.

Note that the pro­gramme will not begin until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode will be a few min­utes after the hour.

Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields.

Note that the pro­gramme will not begin until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode will be a few min­utes after the hour.

Today: Nightmare by Alan Wykes

Night­mares have a way of return­ing – of seep­ing through the con­scious­ness. And when they van­ish for a while, some­times we can even grow to miss them …

The Black Mass art­work was cre­at­ed by Ter­ry Lightfoot.

Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields.

Note that the pro­gramme will not begin until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode will be a few min­utes after the hour.

Today: Atrophy by J Anthony West

The Black Mass art­work was cre­at­ed by Ter­ry Lightfoot.
Many thanks to John Whit­ing and the late Erik Bauers­feld for mak­ing these unique works available.

Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields.

Note that the pro­gramme will not begin until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode will be a few min­utes after the hour.

Today: The Rats In The Walls by H P Lovecraft

“The Rats in the Walls” was writ­ten in August–September 1923. It was first pub­lished in Weird Tales, March 1924

Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields.

Note that the pro­gramme will not begin until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode will be a few min­utes after the hour.

Today: The Outsider by H P Lovecraft

“The Out­sider” is a short sto­ry that Love­craft wrote between March and August 1921, it was first pub­lished in Weird Tales, April 1926. In this work, a mys­te­ri­ous indi­vid­ual who has been liv­ing alone in a cas­tle for as long as he can remem­ber decides to break free in search of human con­tact and light. “The Out­sider” is one of Love­craft’s most com­mon­ly reprint­ed works and is also one of the most pop­u­lar sto­ries ever to be pub­lished in Weird Tales.

“The Out­sider” com­bines hor­ror, fan­ta­sy, and goth­ic fic­tion to cre­ate a night­mar­ish sto­ry, con­tain­ing themes of lone­li­ness, the abhu­man, and the after­life. Its epi­graph is from John Keats’ 1819 poem “The Eve of St. Agnes”.

Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields.

Note that the pro­gramme will not begin until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode will be a few min­utes after the hour.

Today: The Judg­ment by Franz Kafka

“The Judg­ment” (“Das Urteil”), also trans­lat­ed “The Ver­dict”, is a short sto­ry writ­ten by Franz Kaf­ka in 1912, con­cern­ing the rela­tion­ship between a man and his father. Kaf­ka wrote “The Judg­ment” in a sin­gle sit­ting on Sep­tem­ber 22, 1912. In lat­er writ­ings, he described the cre­ative out­burst of “The Judg­ment” as “the total open­ing of body and soul,” say­ing that “the sto­ry evolved as a true birth, cov­ered with filth and slime.” Kaf­ka viewed the work as “one of his most suc­cess­ful and per­fect lit­er­ary cre­ations” which he was able to write in a “semi-uncon­scious state of mind.”

Join us on Fri­day at a lit­tle after 12 noon or 4pm Pacif­ic time, 8pm or mid­night in the UK , for anoth­er episode in the land­mark radio dra­ma series The Black Mass, cre­at­ed by the late Erik Bauers­feld and his col­leagues at the Paci­fi­ca radio sta­tion KPFA in Berke­ley, Cal­i­for­nia, over fifty years ago. In 30 chill­ing tales of mys­tery, imag­i­na­tion and the human mind, The Black Mass brings you some of literature’s most haunt­ing sto­ries, by mas­ters of the craft — many of whom are best-known in oth­er fields.

Note that the episode will not start until the track play­ing at the top of the hour has fin­ished, so the actu­al start time of the episode will be a few min­utes after the hour.

Today: The Death of Halpin Frayser by Ambrose Bierce

This Goth­ic ghost sto­ry by Ambrose Bierce was first pub­lished in the San Fran­cis­co peri­od­i­cal The Wave on Decem­ber 19, 1891 before appear­ing in the 1893 col­lec­tion Can Such Things Be?