Tag Archives: Light music

Light Classical Music …and more

Sat­ur­day, Feb­ru­ary 19th: today on Vir­tu­al Com­mu­ni­ty Radio, we’re pleased to present a pro­gramme of light clas­si­cal music, one of our core genres.

The pro­gramme fea­tures a wide range of both artists and com­posers, some well-known and some, per­haps, who are sel­dom heard. Lis­ten out for the likes of Tom­lin­son, Ketel­bey, Alwyn, Gun­ning and Addin­sell, for exam­ple, to name but a few, and enjoy a day of tune­ful, often relax­ing orches­tral music.

The Light Programme

Sat­ur­day the 29th of Jan­u­ary, and today we make a for­ay into the world of Light Music, one of our sta­ple gen­res here on VCRadio.

We can think of Light Music as fill­ing a gap between out-and-out clas­si­cal music, and the excep­tion­al qual­i­ty music pro­duc­tion library and film music of the 1940s-50s — the lat­ter also fea­tur­ing from time to time on The Light Pro­gramme. It’s a con­tin­u­um with per­haps Sul­li­van at one end, and maybe Coates at the oth­er – though it’s dif­fi­cult to define bound­aries. In between are com­posers like Addin­sell, Alwyn, Ketel­bey, Tom­lin­son, Binge, Lane and oth­ers, and it’s their music that we’ll be fea­tur­ing today. What these pieces and com­posers have in com­mon, is a “clas­si­cal” approach to melod­ic music. Their work is full of great tunes, and it utilis­es orches­tral forces with as much aplomb as any clas­si­cal com­pos­er. But in gen­er­al (though not always), the music is a lit­tle lighter in tone and feel.

Mean­while, the lat­est edi­tion of our orig­i­nal series on things to do and places to vis­it across the Sec­ond Life Grid, “Where Have You Been?”, vis­its The Janus Gal­leries. The show airs at 12 noon and 4pm Pacific/SLT, that’s 8pm and mid­night in the UK, on Wednes­days and Sundays.

And don’t miss Engines of Our Inge­nu­ity from the Uni­ver­si­ty of Hous­ton that tells the sto­ry of how our cul­ture is formed by human cre­ativ­i­ty. Writ­ten and host­ed by John Lien­hard and oth­er con­trib­u­tors, it is pro­duced by Hous­ton Pub­lic Media. Catch it just after the hour every four hours from 4am Pacif­ic / 12:00 UTC.

Music from the Grand Hotel

And now we take you to the Palm Court of the Grand Hotel…” as the announc­er used to say, intro­duc­ing a pro­gramme of fine light clas­si­cal and dance music from the Grand Hotel in East­bourne, on Britain’s South Coast.

Today we take you back to the dance-halls of the ear­ly to mid­dle 20th Cen­tu­ry, from around the mid-20s to the 50s, char­ac­terised by the BBC radio series, Grand Hotel. We’ll also be hear­ing some clas­sic big-band record­ings and much more.

Join us at noon or 4pm Pacif­ic, 8pm or mid­night in the UK, for the lat­est episode in our Sec­ond Life trav­el­ogue series, “Where Have You Been?”, where we fea­ture For­ev­er Tourist, A Sec­ond Life Explo­ration Game.

Light Classical Music …and more

Sat­ur­day, Sep­tem­ber 25th: today on Vir­tu­al Com­mu­ni­ty Radio, we’re pleased to present a pro­gramme of light clas­si­cal music, one of our core genres.

The pro­gramme fea­tures a wide range of both artists and com­posers, some well-known and some, per­haps, who are sel­dom heard. Lis­ten out for the likes of Tom­lin­son, Ketel­bey, Alwyn, Gun­ning and Addin­sell, for exam­ple, to name but a few, and enjoy a day of tune­ful, often relax­ing orches­tral music.

Music from the Grand Hotel

And now we take you to the Palm Court of the Grand Hotel…” as the announc­er used to say, intro­duc­ing a pro­gramme of fine light clas­si­cal and dance music from the Grand Hotel in East­bourne, on Britain’s South Coast.

Today we take you back to the dance-halls of the ear­ly to mid­dle 20th Cen­tu­ry, from around the mid-20s to the 50s, char­ac­terised by the BBC radio series, Grand Hotel. We’ll also be hear­ing some clas­sic big-band record­ings and much more.

Then at 12 noon or 4pm Pacif­ic / 8pm or mid­night in the UK, tune in for the lat­est episode of “Where Have You Been?”, our twice-month­ly look at things to do and places to vis­it on the Sec­ond Life Grid. This time, we vis­it The Restau­rant At The End Of The Uni­verse.

Light Classical Music …and more

Today on Vir­tu­al Com­mu­ni­ty Radio, we’re pleased to present a pro­gramme of light clas­si­cal music, one of our core genres.

The pro­gramme fea­tures a wide range of both artists and com­posers, some well-known and some, per­haps, who are sel­dom heard of. Lis­ten out for the likes of Tom­lin­son, Ketel­bey, Alwyn, Gun­ning and Addin­sell, for exam­ple, to name but a few, and enjoy a day of tune­ful, often relax­ing orches­tral music.

The Light Programme

Sat­ur­day the 10th of July and today we make anoth­er for­ay into the world of Light Music, one of our sta­ple gen­res here on VCRadio.

We can think of Light Music as fill­ing a gap between out-and-out clas­si­cal music, and the excep­tion­al qual­i­ty music pro­duc­tion library and film music of the 1940s-50s — the lat­ter also fea­tur­ing from time to time on The Light Pro­gramme. It’s a con­tin­u­um with per­haps Sul­li­van at one end, and maybe Coates at the oth­er – though it’s dif­fi­cult to define bound­aries. In between are com­posers like Addin­sell, Alwyn, Ketel­bey, Tom­lin­son, Binge, Lane and oth­ers, and it’s their music that we’ll be fea­tur­ing today. What these pieces and com­posers have in com­mon, is a “clas­si­cal” approach to melod­ic music. Their work is full of great tunes, and it utilis­es orches­tral forces with as much aplomb as any clas­si­cal com­pos­er. But in gen­er­al (though not always), the music is a lit­tle lighter in tone and feel.

Then don’t miss anoth­er chance to hear Episode 11 of our Sec­ond Life trav­el show, “Where’ve You Been?”, where Cale­do­nia Sky­tow­er and Elrik Mer­lin dis­cuss places and events of inter­est across the Sec­ond Life Grid. This time we vis­it the incred­i­ble cyber-deco mall of Arca­di­an Rap­ture Remas­tered. The show airs at noon and 4pm Pacif­ic /8pm and mid­night in the UK. You can find more details here. And don’t miss Engines of Our Inge­nu­ity from the Uni­ver­si­ty of Hous­ton that tells the sto­ry of how our cul­ture is formed by human cre­ativ­i­ty. Writ­ten and host­ed by John Lien­hard and oth­er con­trib­u­tors, it is pro­duced by Hous­ton Pub­lic Media. Catch it just after the hour every four hours from 4am Pacif­ic / 12:00 UTC.

Light Classical Music

Today on Vir­tu­al Com­mu­ni­ty Radio, we’re pleased to present a pro­gramme of light clas­si­cal music, one of our core gen­res. This is a repeat of our pro­gramme of April 21, which we had to trun­cate due to inter­net issues between us and the serv­er. Hope­ful­ly all will be well today.

The pro­gramme fea­tures a wide range of both artists and com­posers, some well-known and some, per­haps, who are sel­dom heard of. Lis­ten out for the likes of Tom­lin­son, Ketel­bey, Alwyn, Gun­ning and Addin­sell, for exam­ple, to name but a few, and enjoy a day of tune­ful, often relax­ing orches­tral music.

Light Classical Music

Today on Vir­tu­al Com­mu­ni­ty Radio, we’re pleased to present a pro­gramme of light clas­si­cal music, one of our core genres.

The pro­gramme fea­tures a wide range of both artists and com­posers, some well-known and some, per­haps, who are sel­dom heard of. Lis­ten out for the likes of Tom­lin­son, Ketel­bey, Alwyn, Gun­ning and Addin­sell, for exam­ple, to name but a few, and enjoy a day of tune­ful, often relax­ing orches­tral music.

The Light Programme

We can think of Light Music as fill­ing a gap between out-and-out clas­si­cal music, and the excep­tion­al qual­i­ty music pro­duc­tion library and film music of the 1940s-50s — the lat­ter also fea­tur­ing from time to time on The Light Pro­gramme. It’s a con­tin­u­um with per­haps Sul­li­van at one end, and maybe Coates at the oth­er – though it’s dif­fi­cult to define bound­aries. In between are com­posers like Addin­sell, Alwyn, Ketel­bey, Tom­lin­son, Binge, Lane and oth­ers, and it’s their music that we’ll be fea­tur­ing today. What these pieces and com­posers have in com­mon, is a “clas­si­cal” approach to melod­ic music. Their work is full of great tunes, and it utilis­es orches­tral forces with as much aplomb as any clas­si­cal com­pos­er. But in gen­er­al (though not always), the music is a lit­tle lighter in tone and feel.