The peri­od is bound­ed by the First World War at the end, and some­where around the mid-1870s for the start.

The term “Gild­ed Age” (alleged­ly coined by Mark Twain) is actu­al­ly slight­ly pejo­ra­tive. Gild­ing is a light cov­er­ing of gold and it’s also osten­ta­tious – but a “gild­ed age” is not a “gold­en age”. And the term La Belle Époque was coined after the peri­od – look­ing back at the peace­ful, pros­per­ous past from the dark days of the Great War.

Today we’ll hear music of the Gild­ed Age from both sides of the Atlantic, includ­ing bal­lads (we’ve includ­ed some of Stephen Fos­ter’s won­der­ful songs, which were well known dur­ing the peri­od – and indeed still are today), dance music and some light clas­si­cal pieces includ­ing items from Gottschalk in the US and Satie in France; and you’ll hear the first-ever film score, com­posed by Saint-Saëns.

Some orig­i­nal peri­od record­ings may con­tain neg­a­tive stereo­types or lan­guage now regard­ed as offen­sive. Such mate­ri­als should be seen in the con­text of the time peri­od and as a reflec­tion of atti­tudes of the time. The record­ings are part of the his­tor­i­cal record, and do not rep­re­sent the views of Vir­tu­al Com­mu­ni­ty Radio.

Image: The Cup of Tea, Mary Cas­satt (c. 1879)